Adobe After Effects
Turn visual ideas into sophisticated motion graphics and cinematic visual effects for delivery virtually anywhere from theaters and living rooms to personal computers and mobile devices. Adobe After Effects CS5.5 is the industry leading, native 64 bit motion design and compositing software that offers an open ended environment and a comprehensive set of tools to help you solve any creative challenge. Warp Stabilizer makes bumpy handheld shots smooth, Camera Lens Blur brings cinematic depth to footage and 3D motion design, and Roto Brush isolates foreground elements in a fraction of the time otherwise required.

Product:
Adobe After Effects CS5.5 Mac Retail
Product No:
50.5.1537741
Price (inc): $
1565
Quantity:

Adobe After Effects CS5.5 Mac Retail
Mac Retail Version

Smooth unstable camera moves with the new, high-quality Warp Stabilizer, and create beautiful depth of field effects with the Camera Lens Blur effect integrated with the camera in Adobe After Effects CS5.5 software.

Timecode support takes the guesswork out of editing source footage. Quick stereo 3D setup adds to a fast, native 64-bit workflow, while Roto Brush and Imagineer Systems mocha for After Effects CS5.5 streamline compositing projects.

Continue to work smoothly with colleagues who have not yet upgraded with the option to save the project in After Effects CS5 format. Add natural falloff to 3D lights. Work with a wide variety of formats, including RED Rocket with RMD metadata, XDCAM EX, and CinemaDNG.

Warp Stabilizer
Smooth a bumpy camera move, or lock a shot automatically. Warp Stabilizer removes jitter and compensates for motion related irregularities.

Camera Lens Blur
Create soft focus effects with Camera Lens Blur. Set iris shape, blade curvature, and diffraction fringe characteristics for beautiful bokeh, and use these same settings for fantastic depth of field control with the After Effects 3D camera.

Source timecode support
Take the guesswork out of source footage edits. Timecode data in QuickTime, AVI, Broadcast WAV (BWF), DPX, and some variations of MXF is read directly in After Effects and the Timecode effect can display both source timecode and composition frames.

Stereoscopic 3D workflow improvementsAnimate and composite stereoscopic projects more easily. Quickly set up stereo camera rigs. Save time with simplified rendering of multiple cameras, and work with an updated 3D Glasses effect.

Light falloff
Control how light intensity falls off across 3D distances, just as it does in the real world.

RAW digital cinema workflow improvements
Gain instant access to high definition source formats. Support for the RED Rocket card and RMD metadata dramatically improves the performance and look of RED footage. Import footage in CinemaDNG format, an open standard that offers a common solution.

Color LUT support
Get consistent color in your workflow by using industry standard 3DL and CUBE lookup tables. Create your own color LUT files as exports from Synthetic Apertures Color Finesse.

XDCAM EX export
Render in the XDCAM EX format using multiple bitrates, pixel aspects, and frame rates. This allows you to roundtrip footage shot on popular Sony cameras so that your output is consistent with files being edited directly
from source.

Save As After Effects CS5
Work on projects with colleagues still using After Effects CS5. Save projects in After Effects CS5 format to take advantage of new features and performance improvements without the need for colleagues to upgrade.

Small changes that make a big difference
Benefit from more efficient rendering with improved disk caching, review of recent searches, and new sorting options in the Project panel.

*Please contact Kayell Australia for all Education Institutional, Government & Volume License quotations.
For System requirements go to http://www.adobe.com.au for full system requirements.