Light is the very essence in which a photographer paints an image. Without light, you have nothing. Have you ever wondered why some images just jump off the page and some just look flat and dull? Have you ever tried to make one of those thrilling images yourself, but couldn't because you do not understand how to light it?
If you want to be inspired about lighting, please join us and I will demystify the secrets behind successful lighting that will take your images from dull and boring to exciting and captivating with this one day, intensive, hands on workshop.
What you will learn:
Understanding light as an emotion
Simple set ups for amazing images
Learn to control light and not let light control you
High key and low key lighting scenarios
You will learn all the fundamentals of studio and outdoor lighting and usage of all types of modifiers as well as how to make snap decisions in any lighting situation especially when light works and doesn't.
A professional model will be present so you can get some great shots so bring your own camera.
As this workshop will be very hands on places are limited to 25 people, so please reserve your spot by registering asap. Lunch and refreshments will be provided for all attendees.
Price:
Non Members: $132.00 Inc gst
AIPP or ACMP Members: $110.00 Inc Gst
Dates and Venue:
SYDNEY:
Date: 6th of September 2010
Time: 10.30am Start with a mid afternoon finish
Venue: 80 Hotham Parade Artarmon NSW 2064
MELBOURNE:
Date: 13th of September 2010
Time: 10.30am Start with a mid afternoon finish
Venue: Glow Studio 269-275 Abbotsford Street
North Melbourne VIC 3051
After his foray into the editorial world, Izzard soon found himself being
commissioned for advertising assignments. His style became one of a combination of the looseness and adaptability that editorial photography demands, with the polish and high production values affordable in advertising.
The look of realism and authenticity, as forged in his earliest work, has remained a hallmark of his commercial undertakings. This successful transition is reflected in his many awards, including five Bronze and two Silver AWARD pencils, three Bronze lions, two Folio, numerous inclusions into D&AD and 10 consecutive ACMP Annual Photography Collections. He was also runner up Australian Commercial Photographer of the year 2007 and 2008. Izzard’s talent for pre-visualising and composite shooting has contributed to his inclusion in the past three ‘Archive – Top 200 Ad Photographers in the World’ editions.
Respected throughout the industry, Izzard has been included on the judging panels of the ACMP collections and AWARD. Izzard possesses an outstanding natural ability combined with a great sensibility, which is clearly evident in the quality of his work. www.seanizzard.com








